Wednesday 4 November 2015

The Significance of the Selky: Sentient Sea-beast, Siren, Seductor, Sustenance or Simple Seal?


Adam Dahmer - PhD Celtic Studies

The selky myth seems to have fulfilled numerous roles in medieval Hebridean, Orcadian, and Shetlandic societies. Likely the oldest of these was its use as a means by which to mitigate feelings of bereavement for relatives lost at sea. Because they depended on the treacherous waters of the North Atlantic for their livelihoods, both Gaelic and Norse islanders in medieval Scotland lived in constant peril of drowning. The belief that lost mariners might have sheltered with or transformed into selkies could have lessened the emotional anguish of their passing for those who survived them.

As a coping mechanism for grief, the selky myth could address not only deaths at sea, but also deaths in childbirth. The narrative archetype of the selky wife provided a ready explanation for the widower whose young child was curious about its absent mother. The notion of a connection between the selky and maternal death is reinforced by the fact that in stories of the selky wife, it is often the selky’s child who alerts her to the whereabouts of her seal skin, inadvertently instigating her sudden departure from the family just as a newborn might unknowingly bring about its mother’s untimely demise. The selky skin—with its irresistible ability to separate mothers from their children and wives from their husbands—might itself be a metaphor for death.

Imbalances of power between various entities—not only death and the mortal—play a central role in the selky mythos. One such relationship explored in the selky myth is that between the seal and the seal hunter. Medieval Orcadians, Shetlanders, and Hebrideans had four compelling reasons to hunt seals: the animals competed with islanders for fish; sealskin made excellent waterproof clothing; seal oil could serve as lamp fuel, topical medicine and a waterproofing agent for clothing and boat sails; and seals themselves were edible (Ní Fhloinn 1996). Strangely, alongside the tradition of seal-hunting and the practical incentives that maintained it, there was also a taboo against killing seals, and an entire subgenre of selky stories dedicated to its enforcement. The taboo against seal hunting thus enforced, although observed to varying degrees according to region and historical epoch within Gaelic- and Norse- speaking areas, may have served an important ecological purpose in the Middle Ages, ensuring that grey seals were never over-hunted.

Selky stories might have served not only to protect the environment, but the interests of married women. The male selky of Orcadian and Shetlandic fame had a reputation as a talented lover, who could offer women a temporary distraction or a permanent escape from a loveless marriage to a cruel or controlling husband. He was also reputed to be extremely virile, and could therefore have served as a convenient scapegoat in the event of unexpected pregnancy. Even the tales of female selkies captured and forced into marriage by fishermen might have aimed at the promotion of women’s rights; almost invariably, the selky-wives in these stories escape their captivity, leaving their one-time captors to care for their children alone. This subgenre of selky stories might therefore have been morality tales, reminding husbands that ill-treated wives could desert their abusers, and empowering abused women to do exactly that.

To the extent that the selky emblematizes the female hope of sexual and personal empowerment, it also embodies the masculine fear of sexual and personal inadequacy. The narrative of the captured selky wife in some ways provides an apt metaphor for medieval marriage—in which the female partner often acquiesced to social, familial or economic pressure to marry rather than robustly and eagerly consenting to the union. Under these circumstances, a husband might well feel that he had somehow tricked or coerced his wife into their marriage. His feelings of guilt and insecurity would only have deepened with contemplation of the male selky; by virtue of being a supernatural creature, the selky-lover surpasses his human rival in all respects. He is stronger, more attractive and self-confident, more competent in the arts of love, and able to easily navigate the depths of the ocean—a realm into which the fisherman can only peer from the water’s surface. He lives effortlessly and stays warm and well-fed in the wintertime despite his sloth. And yet, despite his superior fishing skills, the seal still insists on stealing the fisherman’s catch. By analogy, the selky ashore would surely feel similarly inclined to alienate the affection of the fisherman’s wife. The selky myth therefore reflects the medieval husband’s deep-seated suspicion that his wife only loves him from a sense of duty, and that if she could, she would not only run away from him, but into the arms of his archrival—which, in the medieval fisherman’s case, was the seal.

Interestingly, the selky myth has also been used as a means by which to overcome feelings of inadequacy. Numerous Scottish, Irish, and Orcadian families—including the families MacCodrum, Connolly, Kane, Rogers, O’Shea, and O’Dowd (MacDougall 1994) —historically claimed descent from seal-people (Ní Fhloinn 1996). Oral tradition has often suggested that some members of these families were occasionally born with webbed hands and feet, or with fingers grown together so that their hands resembled flippers. (Ní Fhloinn 1996). In light of the selky myth, such congenital anomalies—traits which under other circumstances might have been perceived as deformities—could instead have been interpreted as proof of the families’ much-touted selky ancestry.

An examination of the selky myth reveals it to be more complex than one might at first suppose, in terms of both its origins and cultural significance. It is liminal, straddling the frontiers of medieval Gaelic and Norse culture in the same way that the seal people themselves can traverse both land and sea but can be confined to neither. It reflects the harsh realities of life for preindustrial people forced to depend for survival upon one another and the sea and helped them preserve the delicate balance between the interdependent but opposing forces that sustained their existence.


Worked Cited

Anderson, Mrs, ‘Rescued by a Seal’ Scottish Traditional Tales, ed. by Alan Bruford and Donald A. MacDonald (Edinburgh: Polygon Press, 1994), 368-69

Cravalho, Mark A., ‘An Ethnozoology of the Amazon River Dolphin’ Ethnology, 38 (1999), 47-58
Farley, Erin C., Informal private interview regarding Orcadian folklore (Edinburgh, 15 September 2015)

Harper, Douglas, ‘Wretched’ Online Etymology Dictionary, website, 2001-2015 <http://www.etymonline.com/index.php?term=wretch&allowed_in_frame=0> [accessed 7 October 2015]

Hunter, Andrew, ‘The Limpet Pick’ Scottish Traditional Tales, ed. by Alan Bruford and Donald A. MacDonald (Edinburgh: Polygon Press, 1994), 369

MacDougall, Donald, ‘MacCodrum’s Seal Wife’ Scottish Traditional Tales, ed. by Alan Bruford and Donald A. MacDonald (Edinburgh: Polygon Press, 1994), 365-67

Macpherson, George W., Highland Myths and Legends (Edinburgh: Luath Press, 2001)

Marwick, Ernest, The Folklore of Orkney and Shetland (Edinburgh: Birlinn, 2000)

McEntire, Nancy Cassell, ‘Supernatural Beings in the Far North: Folklore, Folk Belief, and the Selkie’ Scottish Studies, 35 (2010), 120-143

Ní Fhloinn, Bairbre, ‘Tadhg, Donncha and Some of their Relations: Seals in Irish Oral Tradition’ Islanders and Water-Dwellers, ed. by Patricia Lysaght, Séamas Ó Catháin and Dáithí Ó hÓgáin (Dublin: University College Dublin, 1996), 223-246

Robertson, R. MacDonald, Selected Highland Folktales (Trowbridge: Redwood Books, 1961)

Thordarson, Sveinbjorn, ed., Brennu-Njáls Saga (Icelandic Saga Database, 2007) <http://sagadb.org/brennu-njals_saga>[accessed 7 October 2015]

Towrie, Sigurd, ‘The Origin of the Selkie-Folk’ Orkneyar, website, 2 May 2014 <http://www.orkneyjar.com/folklore/selkiefolk/selorig.htm> [accessed 6 October 2015]

Towrie, Sigurd, ‘The Original Finfolk’ Orkneyar, website, 2 May 2014 <http://www.orkneyjar.com/folklore/selkiefolk/origins/origin3.htm> [accessed 6 October 2015]



No comments:

Post a Comment